VVKH Architecten

VVKH, commissioned by Hoorne Vastgoed, developed the development vision for housing on top of the existing shopping center in the center of Castricum. The inward-looking shopping center, dating from the 1970s, is a single-story development with parking at ground level surrounding it. The shops are supplied from the outside, resulting in many unattractive rear entrances. There is little connection with the residential areas that have grown up around the shopping center. By adding housing to the plan, the development will reconnect with the surrounding area. Some of the housing will be positioned above the shops, and some will have front doors facing the street. These new frontages will enhance public safety, while the logistics will disappear from view. The shopping center will be clearly visible with a new entrance to Soomerwegh, the access road to the village. A new square will be added here, creating a pleasant atmosphere. By designing the entrance areas of the shopping center as new squares, the connection with the surrounding area will be strengthened. Geesterduin's stony surroundings will become greener. The plan will be nature-inclusive, providing space for flora and fauna through the addition of roof gardens, vertical greenery, and green landscaping in the squares. The entire plan will be made sustainable, with the preservation of the existing shopping center as a starting point.

In Wassenaar, 40 duplex houses owned by the housing association St. Willibrordus have been replaced by 86 social rental dwellings, primarily intended for starters and seniors.
The site of the new social housing lies within a village extension from the 1960s. At the time, this was the northernmost district of Wassenaar — spaciously laid out, with views over meadows and farmhouses. In designing the plan for the replacement housing, we built upon the core qualities of the existing neighborhood: generous street profiles, front gardens, and abundant greenery.

The new social housing is distributed across six buildings arranged around a shared courtyard garden. By removing the Stompwijckstraat that previously ran between the plots, space has been created to accommodate residents’ parking within the block, while also allowing room for the communal garden. Along this garden, a community facility has been incorporated.

The buildings feature a formal frontage with so-called ‘zoom dwellings’ on the ground floor — shallow homes with their entrance and a small front garden facing the street. The rear sides adjoin the parking area, which is located beneath an open, green deck. The existing tree structure of the area has been preserved. To ensure privacy for the front gardens, a green strip separates them from the sidewalk. The upper-level homes are accessed via wide external galleries.

The urban design was created by Studio VVKH. To ensure the buildings align in scale with the surrounding structures along the long streets, the façade of the top (third) floor is set back slightly from the building line. The balconies create a connection with the street and are subtly angled to optimize orientation toward the sun. On the northern park side, the buildings are more robust in character, with their height responding to the adjacent apartment block.

Villa Meijendel takes its name from the nature reserve in which it is located, where a forest meets a valley of dunes. The house is constructed from concrete and set into the side of a sandy slope. The building's design aims to create a dialogue with its surroundings, both through the way the form and materials engage with the landscape, and through the use of glass to provide views out from and into the house. 

The boxy geometric structure is entirely clad in charred timber, creating a textured black surface that appears different depending on how sunlight falls on it. The exterior finish, inspired by the ancient Japanese shou sugi ban technique, also helps to preserve the wood. Sometimes the house is almost invisible against the dark edge of the forest, sometimes it sparkles in the sunlight because of the glittering charred wood, as such forming a background for the play of shadows of tree trunks and branches. The villa hides and reveals itself in the landscape.

The property has its entrance on a middle level accommodating an office and two bedrooms. Stairs ascend to an open-plan kitchen and living space, and drop down to a master bedroom and gym room.

The living room features a full-height corner window that looks out through the trees towards the dune valley. A lower window facing to the rear and a large glazed surface lining the adjacent double-height circulation area face out onto the forest. At the far end of the first floor, sliding glass doors lead out from the kitchen onto a terrace.

The material palette –concrete, steel and anodised aluminium– was chosen to complement the tones and textures of the surrounding environment. Each material is applied in a raw, untreated form. Internally, the walls are finished with smooth concrete, while the rough-sawn Douglas fir beams supporting the ceilings feature a distinctive grain.

West 8, Adriaan Geuze, is responsible for the garden design.

Photography is by Christian van der Kooy

On a triangular plot, where the historical Vlietweg diverts from canal the Vliet, VVKH designed a house based on experiencing the Vliet. Rough, brick walls engage each other, vaging what is inside and outside. Water and landscape are part of the house.
At the entrance you're being received in a yard with monumental trees. The aperture in the wall give a first glance of the Vliet. From the high entrance it's three steps up to enter the livingroom giving a panoramic view over the Vliet, but shielded from the road.The folding window opens completely and extents the livingroom straight to the edge of the water. A stair with cantilevered steps and a glass balustrade leads to the first floor.