House Vlietweg Leiden

On a triangular plot, where the historical Vlietweg diverts from canal the Vliet, VVKH designed a house based on experiencing the Vliet. Rough, brick walls engage each other, vaging what is inside and outside. Water and landscape are part of the house.
At the entrance you're being received in a yard with monumental trees. The aperture in the wall give a first glance of the Vliet. From the high entrance it's three steps up to enter the livingroom giving a panoramic view over the Vliet, but shielded from the road.The folding window opens completely and extents the livingroom straight to the edge of the water. A stair with cantilevered steps and a glass balustrade leads to the first floor.

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In cooperation with Smits bouwbedrijf, VVKH has won the european tender to develop a new housingarea in district Dieperhout in Leiden. The project consists of 48 dwellings, 12 apartments and a care facility of 1500m². Start of the constructionwork is planned in may 2015, because thats when a current school will move to a new building and the site will be available.

Together with restoration contractor Burgy from Leiden, the back house, the garden house of the house at Garenmarkt 9 / 9a, has been completely restored and modernized. The new owner lives in this part. The front house with a number of apartments / studios for rent will remain unchanged for the time being.

The house at Garenmarkt 9, 9a is also popularly known as 'Thorbeckehuis'. The house has one of the largest private backyards in Leiden. In the Secret Annex, the garden house (No. 9a), the liberal statesman Johan Rudolph Thorbecke wrote in 1848 the revision of the Constitution, which turned our country into a constitutional monarchy. Thorbecke has lead three cabinets from 1849. A gable stone in the national monument reminds of the habitation by the liberal statesman and professor of law (1798-1872).

On the Boerhaave Campus, part of the Bio Science park in Leiden, the historical anatomy-building has been transformed into housing for Phd-students and researchers of the Leiden University. The new apartments are characterized by their high ceilings and old constructions. A small mezzanine is created to function as a bedroom. Right beside the existing building a new appartmentbuilding is erected, designed by Van Gameren of Mecanoo Architects. The total complex contains 166 apartments and is the first step in the complete transformation of the Boerhaave Campus.

Villa Meijendel takes its name from the nature reserve in which it is located, where a forest meets a valley of dunes. The house is constructed from concrete and set into the side of a sandy slope. The building's design aims to create a dialogue with its surroundings, both through the way the form and materials engage with the landscape, and through the use of glass to provide views out from and into the house. 

The boxy geometric structure is entirely clad in charred timber, creating a textured black surface that appears different depending on how sunlight falls on it. The exterior finish, inspired by the ancient Japanese shou sugi ban technique, also helps to preserve the wood. Sometimes the house is almost invisible against the dark edge of the forest, sometimes it sparkles in the sunlight because of the glittering charred wood, as such forming a background for the play of shadows of tree trunks and branches. The villa hides and reveals itself in the landscape.

The property has its entrance on a middle level accommodating an office and two bedrooms. Stairs ascend to an open-plan kitchen and living space, and drop down to a master bedroom and gym room.

The living room features a full-height corner window that looks out through the trees towards the dune valley. A lower window facing to the rear and a large glazed surface lining the adjacent double-height circulation area face out onto the forest. At the far end of the first floor, sliding glass doors lead out from the kitchen onto a terrace.

The material palette –concrete, steel and anodised aluminium– was chosen to complement the tones and textures of the surrounding environment. Each material is applied in a raw, untreated form. Internally, the walls are finished with smooth concrete, while the rough-sawn Douglas fir beams supporting the ceilings feature a distinctive grain.

West 8, Adriaan Geuze, is responsible for the garden design.

Photography is by Christian van der Kooy