The plot Oeverpolder is located in the central part of the Hoornespolder, a 1960s reconstruction area. In recent years, this district has undergone a transformation, where living is more focused on the public space and a clearer separation is made between public and private.
In the design for the new-build location, a U-shaped courtyard building was chosen, which in terms of architecture and grain size connects to the existing buildings. The green structure of the neighborhood is reinforced with the design. The transition between the residential building and the public space has been carefully designed. There are no garages, storage rooms and blind facades in the public space. The U-shaped building contains a total of 52 apartments of 53-88 m2. The building on Hoorneslaan has 4 storeys, the other two sides are 3 storeys high. The houses are all accessible via (widened) galleries in the courtyard, parking is partly in the courtyard and partly on public land, on the street.
The masonry architecture is in line with previous transformations on Hoorneslaan, but also fits in well with the existing modern reconstruction architecture of, for example, the adjacent Pniëlkerk. Due to the sloping boundary of the plot on Hoorneslaan, the building block has been given characteristic staggered façades here. It is an all-round designed building that at the same time has a new and unique character, but also fits well in the neighborhood.
| Architects | Ronald Knappers, Thomas Gillet |
| Client(s) | Dunavie Katwijk |
Villa Meijendel takes its name from the nature reserve in which it is located, where a forest meets a valley of dunes. The house is constructed from concrete and set into the side of a sandy slope. The building's design aims to create a dialogue with its surroundings, both through the way the form and materials engage with the landscape, and through the use of glass to provide views out from and into the house.
The boxy geometric structure is entirely clad in charred timber, creating a textured black surface that appears different depending on how sunlight falls on it. The exterior finish, inspired by the ancient Japanese shou sugi ban technique, also helps to preserve the wood. Sometimes the house is almost invisible against the dark edge of the forest, sometimes it sparkles in the sunlight because of the glittering charred wood, as such forming a background for the play of shadows of tree trunks and branches. The villa hides and reveals itself in the landscape.
The property has its entrance on a middle level accommodating an office and two bedrooms. Stairs ascend to an open-plan kitchen and living space, and drop down to a master bedroom and gym room.
The living room features a full-height corner window that looks out through the trees towards the dune valley. A lower window facing to the rear and a large glazed surface lining the adjacent double-height circulation area face out onto the forest. At the far end of the first floor, sliding glass doors lead out from the kitchen onto a terrace.
The material palette –concrete, steel and anodised aluminium– was chosen to complement the tones and textures of the surrounding environment. Each material is applied in a raw, untreated form. Internally, the walls are finished with smooth concrete, while the rough-sawn Douglas fir beams supporting the ceilings feature a distinctive grain.
West 8, Adriaan Geuze, is responsible for the garden design.
Photography is by Christian van der Kooy
The plan ‘de Biezenhof’ is part of the new residential area ‘Waterrijk Woerden’ and is situated along a natural watery region. The urban scheme of ‘Waterrijk Woerden’ was designed by West 8 and refers to the traditional Dutch water cities such as Delft and Leiden. The design is made in collabiation with Klunder architects. Almost every dwelling is individual and has a specific connection to the water.
The plan of Biezenhof is divided in two parts: there is one block of family houses around a courtyard on the edge of the lake, and there is a row of water houses and apartments along a canal.
The buyers of the houses could choose between several types of houses as well as between four architects. Due to the possibilities in combining type and architect, not one house is the same. Every house has a singular character: the lake houses have a beautiful view on the lake, the street houses have a garden, and the canal houses enclose big terraces. In the public space there are a few parking places, the majority of parking places are organised in garages.
The houses designed by Knappers are characteristic because of the huge roof overhanging the façade. This contributes to the shelter-against-the water identity of the houses, and refers to the greenhouse glass constructions in the low lands. At the street side these houses are made of brick, which gives them a closed and open (to the light and the water) individuality.
For the residential house Rapenburg 49 in Leiden, a listed national monument, we designed a plan that both enhances sustainability and strengthens the building’s historical and spatial qualities.
The house consists of a front and rear section. The period rooms in the front house have been restored to their former glory — original details and colors were reinstated, and new wall coverings were applied. The family, with two children, lives in the rear house, which they wished to renovate as sustainably as possible.
By implementing a breathable insulation system, a new insulated ground floor, and an air-source heat pump, the rear house has been successfully taken off the gas grid. During the renovation, the layout was improved, and a dormer and several roof windows were added. The connections on the ground floor between the kitchen and living/dining room, and on the upper floor between the bedroom and library, were reinstated. In all interventions, a careful balance between modern technology and historical awareness was sought.
The project was realized in close collaboration with the client, restoration company Burgy, and Erfgoed Leiden.
Photography: Arjen Veldt
The “Villa van Bergenlaan” is located in Rijksdorp, Wassenaar, on the edge of a Natura 2000 protected area.
Situated along a dune ridge, it overlooks the Lentevreugd nature reserve. The villa is modest in expression, partially embedded into the dune, allowing it to become an integral part of the landscape. Energy for the house is generated from sun and air. Because the villa is partly underground, a hybrid structure of concrete and timber has been created.
The materials — including native oak, Fraké wood, concrete, and anodized aluminium — reveal their natural character; nothing is concealed, and in some cases the materials are given a special treatment, such as the wooden slat pattern cast into the concrete. The external façade, one to two storeys high, is clad in timber with concealed window frames.
Characteristic of the villa is the experience of light, space, materiality, and connection with the surrounding landscape. The villa is composed as a sequence of distinct spatial volumes — a modern interpretation of the “Raumplan” principle.
